Speaking of John Petrucci, I picked up his"Liquid
Tension" CD he did with Tony Levin lastyear.
Some smoking fusionesque metal on that one.
Thanks for the info, man. I'm going CD
hunting. Petrucci showed that
he can be both melodic and bluesy in his work
with Dream Theater, that's
why he's one of my favorites. I like his
instructional video too. :-)
passage on the radioAnd let us not forget Frank Marino...
Well, it's too bad that I don't have a single
copy of any cut he did,
though I recall vaguely that I heard a fleeting
over a decade ago.
I guess he's avant-garde.
I found two of his live songs on Napster one night....oh mi..did I just
admit to using Napster....
Please dont turn me in to the Metallica Police...;)
BEER GOOD!!!!!!!!!!!!!!!!!!!
Actually, the Napster concept is good, it is just such a bad server....
I spend more time trying to keep a connection than I do actually downloading anything.
And let us not forget Frank Marino...
Well, it's too bad that I don't have a single copy of any cut he
did,
I found two of his live songs on Napster one night....oh mi..did I just
admit to using Napster....
Please dont turn me in to the Metallica Police...;)
BEER GOOD!!!!!!!!!!!!!!!!!!!
Actually, the Napster concept is good, it is just such a bad
server.... I spend more time trying to keep a connection than I
do actually downloading anything.
Wouldn't that be against state, local, and
international laws?
But officer Tom, if a person used Napster wouldn't they be in
violation of the international copyright act when they downloaded a
file of copyrighted material? Wouldn't that be against state,
local, and international laws?
Bill Riley wrote in a message to Tom Engle:
But officer Tom, if a person used Napster wouldn't they be in
violation of the international copyright act when they downloaded a
file of copyrighted material? Wouldn't that be against state,
local, and international laws?
Bite Me.
Wouldn't that be against state, local, and
international laws?
Actually, I think infringement of copyright isn't something you
really "enforce" like a parking ticket. I think you just sue for
it.
BRETT MCCOY wrote to ALAN TENORIO <=-
Check out the one Robin Trower did a few years ago. you can
hardly understand what he's saying, but he shows sone nice licks.
Alan Tenorio wrote to Martin Ridgley <=-
re: B.B. King:
But watching him play showed me that it was cool to play finger
vibrato with the 1 finger. I also picked up his vibrato technique
by watching him. I think some call it the 'butterfly.'
..I was also lucky to have spoken with Ray Brown and Jeff Hamilton...
I attended their forum but felt disappointed when Herb Ellis (another
one of my jazz idols) couldn't make it because he was a bit ill.
I sure would've enjoyed watching his fingers that close.
...after the group finished a few songs, I walked up to Mr. Brown<snipped>
and his upright bass, got his autograph on my Guitar Player, and...
He still managed to get that acoustic sound without the electronics getting into the way. The amp's volume was just right and did not overpower the acoustic bass' sound.
Then he continued to tell me about the place where he came from.
He said that there were about a dozen players who could spin the
upright 360 or more degrees and get back to the song without
missing a beat. He also said that it was common for these bass
players to slap the upright. Mr. Brown then proceeded to
demonstrate. ;-) It sure was a memorable experience!
I got to shake the hands of one of the greatest jazz musicians of
all time.
BTW, your name reminds me of a line of acoustic guitars. If I had
the money, I would get one!
Check out the one Robin Trower did a few years ago. you can
hardly understand what he's saying, but he shows sone nice licks.
Robin Trower - there's a name I haven't heard for a while.
I liked a couple of things he did with Procol Harum and a few tracks
from his mid-70s solo albums, but I haven't heard anything by him since
then. I believe he toured North America a few years ago and I'm pretty
sure he passed through my town, but I didn't go and see him. What's he
up to (musically) these days?
Hehe... I wouldn't mind owning one, but if I had that kind of
money, I think there are probably a couple of other makes that I'd prefer. I've never played a Martin that felt exactly right for
me, whereas I've fallen in love with a couple of Guilds and
Gibsons over the years. I really don't know why that is, 'cause
lots of people swear by Martins.... Hmmm.... ;-\
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